Sony STR-7055 Receiver

One of the most elegant looking receivers from the 1970s, well at least from the ones I've come across. It reminds you from a simpler time, which I know nothing about because...well, you can use your imagination on that.

The Sony STR-7055 is just a step down from the TOTL STR-7065, that is has less power outputs, and a few less features like no speaker "C' for a third pair of speakers. But, everything else is pretty much the same.

I quite enjoy this unit. It has a nice sound signature, albeit, I was a bit shocked as I had generalized thought about the sound signature of 70s. But,surprisingly, it was very nice. A bit on the warm side but, very clean and transparent. Not the most dynamic sound signature but, very smooth. Sony did make some real nice stuff and well engineered gear.

Modestly rated at 35wpc into 8ohms, it can fill a room nicely with music. Actually, one of my favorite feature of the receiver is the Auxiliary input on the front, though it does use 1/4" plug over the more common 1/8" plug that are found on MP3 players. But, with an adapter it makes plugging various music players easy, instead of crawling at the back of the receiver with RCA plugs.

This is a beautiful looking receiver and would make a great addition to any collection or be great receiver for anyone looking for quality gear.

For more information:
http://www.thevintageknob.org/sony-STR-7055.html

Energy Encore 2 Speakers

My family were the original owners of these speakers. We actually had the entire Energy Encore 5.1 surround set, minus the integrated stands. Slowly, the rear speakers were sold. I kept the subwoofer to use with my sound bar, and the center channel broke. All that remained were these little guys sitting on the same shelving unit for the past 15ish years. I used them for a bit for my computer setup but, opted to use my Mirage Omni 350 instead. While these are considered "big box store" speakers, they are still great little speakers. These were made in Canada. Used their hyperdome aluminum tweeter that made Energy famous from the Pro22 days (thank you Burhoe!). A super nice black piano finish and sealed box, with a 4" long throw woofer. Some Specifications that I took from the web: System Type: Magnetically shielded acoustic suspension satellite Tweeter: 1" (28mm) Aluminum dome with cloth suspension Woofers: 4" (112mm) Multi-laminated aluminum polycarbonate c

Yamaha YP-66 Turntable

The rosewood vinyl wrapped twin sibling of the Yamaha YP-221, they are the exactly the same other than the colour of the plinth and instead of silver plastic bits on the YP-221 the YP-66 has black bits. This is your typical belt drive turntable of the mid to late 70s. It's a 2-speed with automatic return (semi-automatic). It's a nice entry level turntable with all the decent built quality that you find on majority of the Japanese made tables of that era. It has a good sized motor and a decent weight. Yamaha tables are like Sony tables, they always have decent quality components and they always look nice to the eyes. The slight smoked dustcover and the rosewood plinth makes it quite unique to look at. Sadly, the antiskate weight on our isn't original. It was missing when we got it. After a bit of research we found the appropriate weight and found an appropriate weight to retrofit into our table. We found a nice brass weight to fit with the design. And, as usual,

Dual CS-616Q Turntable

Finally doing a write up for a couple of turntables. So, let's start with the Dual CS-616Q. Made around the mid 80s when wood-grain design were no longer in fashion and the new sleek grey and black were in. This Dual is in really nice shape, and I mean real nice shape. While it's not from the 70s, it doesn't mean it's not quality. In comparison to other companies of the time that still made entry level turntables, this Dual is really well made. It has decent heft and it is German made so a lot of precision was still put into it. It is a direct drive, a true semi-automatic and quartz lock turntable. Why do I mean true semi-automatic? Well, before some of their earlier turntables had an auto-lift off at the end but the tonearm never returned to the rest post. So, having it returning is a nice feature to have! It also features Dual's ULM (ultra low mass) tonearm and their EDS motor. These tonearms are especially nice for higher compliant cartridges as

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